GEEKING OUT
- June 13th, 2009
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The beginning of a story is a very difficult thing to get right. It’s a crucial part, just like the first few years of a child’s life. My fascination with the first few chapters–hell, even the first few pages–is how the typical “formula” has changed over the years. I remember romance novels from when I was a young teen that started off with back story, a little bit of a character profile, and even some historical context for me to keep in mind. This was considered kosher because how else would you know what was going on?
Nowadays, it’s more fun–and pretty much required–for an author to get straight to it. Readers want to be sucked into the drama immediately. Perhaps it’s simply a sign of the times that readers would rather do without the foreplay and go right to the down-and-dirty. I’ve found that it’s at least made writing the first few pages more exciting and more complicated. A lot of condensing is done. Only a few hints and tiny tastes of back story are included to make the reader want to know why the drama is happening, how the character will react to it, and what the outcome will be. Readers must identify or at least be intrigued by the character(s), even if they don’t know their whole psychological profile, and they must care about what happens to them.
This makes the first five to ten pages very volatile for the first few drafts. Paragraphs deleted and replaced with one line, other paragraphs fluffed up to twice their size, only to be trimmed again in another run-through.
IT’S SO MUCH FUN.

