Despicable Me is the latest G-rated, CG-animated offering for the amusement of audiences who are increasingly uninterested in live-action films with plenty of their own special effects and explosions, but with a serious lack of plot, dialogue, or even cohesiveness. Despicable Me is (surprisingly) brought to us by Universal Studios rather than Pixar, the CG animation giant that has so many memorable films under its belt. (Don’t worry, the review for its latest release, Toy Story 3, is below.)
The film’s star, #2 Super-villain Gru, is voiced by Steve Carrell. His arch-nemesis Vector, the #1 Super-villain, is voiced by Jason Segel. At the start of the film, a busload of tourists to the famous pyramids of Egypt discover that one of the pyramids was stolen and replaced by a inflatable rubber one. Gru, ever aspiring to be the best super-villain whose (literally) biggest steals are much less impressive than a whole pyramid, has a plan up his sleeve to steal the entire Moon! Gru and his scientist assistant, the geriatric Dr. Nefario (voiced by Russell Brand) are ready to attempt the biggest heist the world has ever seen–if only they could get the funding–and a shrink ray!
Enter the three girls from Miss Hattie’s Orphanage, whose door-to-door cookie-selling could be Gru’s ticket into Vector’s impenetrable lair, where the shrink ray lies. These heartbreaking cutie pies are voiced by Miranda Cosgrove, Dana Gaier, and Elsie Fisher. The eldest girl is obviously the most responsible and also the most pessimistic. The middle child is eager to get into trouble, and the youngest is single-mindedly in love with unicorns. Other characters include Gru’s mother, voiced by Julie Andrews (double-take on that one!), and Will Arnett as the Super-villain bank CEO.
I found this film to be highly enjoyable, and since it’s longer than the typical G-rated, CG-animated film, the fact that it felt so short is a sign of how engrossed I was the whole time. Carrell’s hilarious accent along with some slightly broken English were among the many facets of the film that kept the giggles rolling almost the entire way. Visual gags, film references (such as Star Wars or Snow White), off-the-wall comments, dry wit, and simple slapstick all coalesced into a side-splitting comedy that meshed well with the poignancy of the girls’ desperate desire for a loving family.
It’s definitely worth a trip to the theater!
Toy Story 3, Pixar’s “final” chapter of a group of toys owned by a boy named Andy, is arguably better than the second film, which I did see but barely remember. I might even say I enjoyed it more than the first film, possibly because “jailbreak” movies are just so much fun! In this final installment, Andy is all grown up and heading off to college. He hasn’t played with his fun-starved toys in years, and despite their best efforts to entice him into playing with them, he’s just too old for toys. The toys are terrified that they’ll be thrown away. Woody insists they’ll simply be stored in the attic (a sort of “afterlife” for toys), but through a series of misunderstandings, they all get donated to a local daycare center.
At first, the daycare center seems like heaven. With a constant stream of children excited to play with them and a support group of other toys who provide repairs, what more could a toy want? Their first impression couldn’t have been more wrong, though. Quickly, they realize that their “support group” foists the unpleasant task of being toys for toddlers onto the new toys. The toddlers are too young to play with toys like Woody and Buzz, who are meant for an older age group, and the rough play is surely going to break them permanently, which is a one-way ticket to the dumpster. It’s time to escape daycare!
I definitely loved this film, though one section of the film, in which the toys are trying to avoid literal destruction at the local dump, seems over-the-top with the toys holding hands as they slowly sink down a massive pile of garbage debris toward an humongous inferno. I wouldn’t call that section “violent” per se, but something about it was terrifying, and though the filmmakers may have been shooting for just that reaction, it and other emotionally poignant scenes really grate against the funnier scenes. Even so, the emotional density of the film deserves a bravo, especially since the themes of “abandonment” and “moving on” are layered so well.
As for comparing Despicable Me and Toy Story 3, they quite possibly are too different to really compare them. Sure, obvious similarities are there: the orphans of the former and the toys of the latter both fall in line with the theme of abandonment and the desire to be loved. However, the former is a film about reformation and the latter is mainly a prison escape. The former is a standalone film heavier on the comedy than the pathos, while the latter is the third in a trilogy that concentrates on the desperation of abandoned toys rather than the hi-jinks that ensue when they go from one bad situation to the next. (This isn’t to say that Toy Story 3 isn’t also very, very funny. Spanish Buzz and metrosexual Ken top a long list of running jokes, visual gags, snappy one-liners, and just plain bizarreness.)
Despicable Me has more replay value, and Gru’s countless yellow minions were an endless source of amusement, but Toy Story played off nostalgia and other beloved movie tropes to provide entertainment. In my book, they’re both excellent films that deserve high praise.
If only a good horror film would be released… :(